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      <image:title>home - ARAGONIT</image:title>
      <image:caption>ARAGONIT H: 147cm x 120cm x 30cm Glass, Glass Pigment, Metal Oxides, Ash, Granit, Pinewood. Part of the MindCfraft Project 2025. https://mindcraftproject.com/designer/morten-klitgaard/</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5846eb6d37c581b2ad38f29d/39212b8d-9f2a-43a6-ae21-2879ec10559e/IMG_9808.jpeg</image:loc>
      <image:title>home - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
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      <image:title>home - Enter Art Fair, Copenhagen</image:title>
      <image:caption>I will be presenting a new body of work at Enter Art Fair, Scandinavia’s leading international art fair, in collaboration with Køppe Contemporary Gallery. Bringing together galleries, collectors, curators, and art enthusiasts from around the world, the fair serves as an important platform for contemporary art in the Nordic region and beyond. Inspired by the ancient cliffs of Møns Klint, this new series of glass works emerges from a fascination with time, erosion, and the quiet power of the landscape. Formed over millions of years, the chalk cliffs stand as a meeting point between earth, sea, and sky—a place where light is constantly transformed. Through layers of glass, shifting transparencies, and subtle variations in surface and depth, the works evoke the experience of standing at the edge of the cliffs, where the horizon dissolves and geological history becomes tangible. Rather than depicting the landscape, the pieces seek to distill its essence: the luminous white of the chalk, the deep blue of the Baltic Sea, and the fleeting Nordic light that continually reshapes the perception of place. The series reflects on the relationship between material and memory, inviting the viewer into a contemplative space where landscape is not represented, but felt.</image:caption>
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      <image:title>home - International Festival of Glass, United Kingdom</image:title>
      <image:caption>I am honored to present my work at the International Festival of Glass in the United Kingdom, one of Europe’s most important events dedicated to contemporary glass art. The festival brings together leading artists, makers, and institutions, celebrating the diversity, innovation, and expressive potential of glass as an artistic medium. The work selected for the festival is from my series Terræn, which was also featured in the Danish Biennale for Craft &amp; Design earlier this year. Inspired by the traces, formations, and shifting structures found within the landscape, Terræn explores the relationship between geological processes and human perception. Through layered surfaces and subtle material interventions, the series reflects on how landscapes are shaped by time and how memories of place become embedded within the material itself. Presented within the context of the International Festival of Glass, Terræn contributes to a broader exploration of contemporary glass as a medium capable of bridging craft, art, and material storytelling.</image:caption>
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      <image:title>home - Homo Faber, Venice</image:title>
      <image:caption>My work will be presented at Homo Faber in Venice, one of the world’s most prestigious exhibitions dedicated to exceptional craftsmanship and artistic excellence. Bringing together master artisans, contemporary makers, and visionary creators from across the globe, Homo Faber celebrates the enduring relevance of material knowledge, skill, and artistic innovation. The works selected for the exhibition are from my series FLUX and Origin. While distinct in form, both bodies of work explore transformation, movement, and the passage of time through glass. Rooted in a dialogue between material and process, the works investigate how memory, landscape, and natural forces can be embedded within the surface and structure of glass itself. Presented within the context of Homo Faber, these pieces contribute to a broader conversation about contemporary craftsmanship—where traditional making techniques become a vehicle for artistic exploration, and where material carries both physical and poetic meaning. These international exhibitions offer an opportunity to share my work with collectors, curators, museums, and audiences from around the world while engaging in an ongoing dialogue about the future of contemporary craft and material-based art.</image:caption>
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      <image:title>home - Big news — ARKOSE IV acquired by the Detroit Institute of Arts I’m incredibly honored to share that ARKOSE IV has been selected for acquisition by the Detroit Institute of Arts (DIA). This piece was created in March 2022 during my residency at the Flint Institute of Arts, supported by the Danish Arts Foundation. During my time there, I was deeply inspired by the Michigan landscape — the old apple trees, the soil, and the traces of early spring. Each morning on my way to the studio, I collected branches, leaves, and soil from the surroundings. I burned the materials, mixed the ashes with sifted earth and stone, and applied them to the glass surface during the final heating. This process gave the piece its dark, earthy skin — a reflection of place, memory, and transformation. It means so much to see this work find a permanent home at one of the most significant art museums in the U.S. — and in the same state where it was created. A heartfelt thank you to the Flint Institute of Arts, the Danish Arts Foundation, and Simone DeSousa Gallery for their incredible support and effort in making this happen</image:title>
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    <loc>https://www.mortenklitgaard.com/the-artesia-hotel</loc>
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    <lastmod>2019-02-04</lastmod>
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      <image:title>The Artesia Hotel</image:title>
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